RETHINKING MALEVICH
TABLE OF CONTENTS
|
| Preface |
Charlotte Douglas |
| Introduction |
Christina Lodder: Malevich Scholarship: A Brief Introduction |
I
|
| Chapter 1. |
John Bowlt: Kazimir Malevich and Fedor Rerberg |
| Chapter 2. |
Elena Basner: The Early Work of Malevich and Kandinsky: A Comparative Analysis |
| Chapter 3. |
Natalia Avtonomova: Malevich and Kandinsky: The Abstract Path
|
II
|
| Chapter 4. |
Tatiana Goriacheva: Suprematism and Constructivism: An Intersection of Parallels |
| Chapter 5. |
Myroslava M. Mudrak: Malevich and his Ukrainian Contemporaries |
| Chapter 6. |
Pamela Kachurin: Malevich as Soviet Bureaucrat: Ginkhuk and the Survival of the Avant-Garde, 1924-1926 |
| Chapter 7. |
Konstantin Akinsha: Malevich and Lenin: Image, Ritual, and the Cube
|
III
|
| Chapter 8. |
Irina Vakar: Malevich and Jose Ortega-y- Gasset on the "New Art" |
| Chapter 9. |
Christina Lodder: Living in Space: Kazimir Malevich's Suprematist Architecture and the Philosophy of Nikolai Fedorov |
| Chapter 10. |
Adrian Barr: From Vozbuzhdenie to Oshchushchenie: Theoretical Shifts,
Nova Generatsiia, and the Late Paintings
|
IV
|
| Chapter 11. |
Linda Boersma: Malevich, Lissitzky,Van Doesburg: Suprematism and De
Stijl |
| Chapter 12. |
Eva Forgacs: Malevich and Western Modernism |
| Chapter 13. |
Charlotte Douglas: Malevich and De Chirico |
| Chapter 14. |
James Lawrence: Back to Square One
|
V
|
| Chapter 15. |
Aleksandra Shatskikh: Aspects of Kazimir Malevich's Literary Legacy:
a Summary |
| Chapter 16. |
Irina Karasik: Extending Malevich in Contemporary Russian Art |
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